logo for Intellect Books
Acts of Dramaturgy
The Shakespeare Trilogy
Michael Pinchbeck
Intellect Books, 2020

Acts of Dramaturgy is a critical frame for Michael Pinchbeck’s The Shakespeare Trilogy, a recent touring project comprising three performances—The Beginning, The Middle, and The End—that explored the role of the dramaturg. This book sets the playtexts in dialogue with reflexive essays and provocations on contemporary dramaturgy from a range of contributors. 

Weaving together different modes of writing, the volume reflects on the politics of dramaturgy, authorship, adaptation, performance, and the use of Shakespeare as a stimulus for making contemporary theater. The resulting work is as much a reflection on the entanglements of processes, lineages, and relations that have shaped the work and its reception as it is an exploration of ways of reflecting and being with practice now. A valuable new contribution to the study of contemporary dramaturgy, the book will be of interest to makers and scholars of theater and performance and anyone interested in practice research and creative critical writing.

[more]

logo for Intellect Books
Following the Score
The Ravel Trilogy
Oliver Smith
Intellect Books, 2024
An interdisciplinary critical inquiry into the working dramaturgy of The Ravel Trilogy.

This book frames the playtexts of The Ravel Trilogy—Bolero (2014), Concerto (2016), and Solo (2018)—alongside a series of reflective essays and provocations on contemporary dramaturgy and musicology from academics and artists in drama, music, linguistics, and fine art. It contextualizes the themes and approaches of the trilogy and serves as a critical companion to a body of devised work, stimulating a debate about dramaturgy and composition and inviting discussion about post-dramatic theater's relationship to music.

This publication marks the culmination of the trilogy and its critical legacy, exploring the work through the dual lenses of postdramatic theater and research questions articulated and addressed by the practice-research undertaken by its co-creators. The dramaturgical context for The Ravel Trilogy and the reflective essays around it allow the editors to explore the relationship between theater and music, raising questions about practice-research and notions of creating playtexts from musical scores. In this volume, Michael Pinchbeck and Ollie Smith reflect on making and performing The Ravel Trilogy and the process of researching, devising, and presenting work inspired by music where score becomes script and dynamics become stage directions.
 
[more]


Send via email Share on Facebook Share on Twitter